Tetsujin no Llama

 I've been working with making dice out of epoxy, which is fun, but I've been fascinated by custom dice designs and making your own molds. Fortunately, the internet is a fountain of information about it, and I'm fortunate to have had most of the pieces kicking around already. Design your dice in the software of your choice (used to that; dice are easy to build), 3d-print (doing that for years), and make molds by pouring some kind of rubber around them. While I went a somewhat different direction, this video from Dice Witchery was particularly useful for me. The main problem I faced was that I absolutely could not get platinum-cure silicone rubbers to cure no matter what I tried, so I ultimately used a polyurethane rubber, and I've got a tin-cure silicone rubber on deck for further mold-making. But this isn't really about technique yet. This is just proof of concept. Can I, in fact, make reusable molds in order to make my own dice designs in resin? Signs point to ye

 I've got some old, crumbling trees on my lot which I haven't had the time or energy to remove. Now and again, they drop hollowed-out branches, which I've always thought have interesting shapes. I didn't really have a clear idea of what to do with them until I started seeing people making resin dice-rolling trays. It naturally occurred to me that I could combine the two.  I roughed out some wooden rings by slicing a branch with a chainsaw, then dried them in the oven for a few hours, knocked out the loosest bits of decayed wood, and ran them through a planer. The wood got sealed with shellac, then I poured some green and blue tinted resin into it to make a floor. The resin has set up nicely, it's surprisingly lightweight (thin layer of resin plus very dry old wood), and I like the organic look. I've just made the one so far, but I may do more, possibly adding inclusions to the resin and switching up the color scheme.

Issue #3 of the GURPS fanzine The Path of Cunning is out. It contains some notes I wrote on Cold Shard Mountains . Part of it expands on how it runs contrary to the premise of the Dungeon Fantasy line, and some of it gets into the sources of some of the ideas I used as the basis of parts of the setting, including this:

With the addition of a pressure pot, I've got the basic technical infrastructure for dice-making mostly in place (just need to figure out polishing; my attempts so far have been...unsuccessful), so i can concentrate more on the artistic side. Several of my latest have been more work on dice representing places using the Terrain2STL-based technique described here .  First, the cliffs of Moher: When my lovely and talented spouse and I visited Ireland, we stopped at the cliffs at a spot near a Medieval tower, which I added to the landscape. Monument Valley: This one likewise needed a little help. The section of Monument Valley I did here included West Mitten Butte, East Mitten Butte, and Merrick Butte. However, the resolution of the GIS data was sufficiently coarse that it excluded the chimneys on the Mitten Buttes. I had to add them back in. This involved a lot of dry brushing to get the layered earth tone effect. And the Grand Canyon:   This needed no help on the modeling. Print, pa

At the GURPS session of today's Fnordcon , there was a question about how much research a GURPS book required. The answer is, of course, that it varies with the length and nature of the book, but I'd like to point out another key factor: the author.  I write historicals in large part because I've got a social science and humanities background. I'm already oriented in various historical periods and in the language of history, archaeology, and anthropology. There's basically an investment of research humming along under the surface there. Consequently, I do less research specifically for any given work than one might think. Indeed, there have been some things where there's a specific place or idea that comes up in my reading which looks like a good idea for a GURPS work and only a fraction of the resulting work comes from research specifically for it. The rest is contextualizing and providing background from stuff I already know.  Consequently, I can write somethi

Another thing I've enjoyed seeing out there is dice which give a sense of place: tiny landscapes, galaxies, and so on. So naturally I've been putting together some dice which work with those ideas, with a big boost from 3d printing for some of them. The one that didn't use 3d printing involved the use of a series of hemispherical molds. I started with making a mottled blue and green hemisphere with tinted resin. Then I glued the flat side to a stick and suspended it over a slightly larger hemisphere filled with clear resin. Once that was set, I painted clouds directly on the resin, so the cloud layer is slightly above the "ground" surface. That went into a mold half-filled with black resin with a few bits of glitter thrown in for stars, then topped off with more clear resin for night and day sides. One of the nice things about this is that it's all resin, save for a trivial quantity of paint and glitter, so it's as balanced as the mold allows. The remain